The Phantom agrees to return her to the outside world.īackstage at the Opera, Buquet, the flyman, taunts the ballet chorus with stories of ‘the ghost’. His anger dissolves into self-pity and Christine feels herself almost reciprocating his affection. Consumed with curiosity, Christine succeeds in revealing The Phantom’s face. He is teaching her so that she can sing his music.Ĭhristine falls asleep, waking the following morning to the sound of the music box. The Phantom explains that he is a composer and she has been his inspiration. They cross a lake and arrive at The Phantom’s subterranean lair. Christine is led beneath the Opera House. The Phantom draws Christine into the dark beyond the mirror and, when Raoul returns, the room is empty. It is The Phantom, the teacher whom she has never seen – her Angel of Music. As soon as Christine is alone, a figure appears behind the mirror. The meeting becomes a reunion, both realising that they used to play together as children. Christine’s performance is met with unanimous approval and Raoul goes backstage to congratulate her. After the Gala, Meg asks Christine about her mysterious teacher, but Christine can only tell Meg that he is the Angel of Music whom her late father had always promised would one day visit her. The managers grant her an audition.Īudition and performance merge and, from the managers’ box, the young Raoul, patron of the Opera House, voices his enthusiasm for the new star. Christine has been taking singing lessons, but is unable (or unwilling) to say from whom. Meg, Madame Giry’s daughter, suggests to André and Firmin that her friend and fellow dancer Christine Daaé could take Carlotta’s place.
Phantom of the opera costume women free#
Madame Giry, the ballet mistress, hands the managers a note from ‘the opera ghost’ demanding a salary and a free box at the opera. The new managers learn that there have been too many accidents.
Carlotta storms out, leaving the new production without a star. There are murmurs among the company that it must have been the work of ‘the ghost’. André asks the prima donna, Carlotta, to sing, but a sandbag falls suddenly from the flies, almost killing her. He introduces the new managers, André and Firmin. LeFèvre, manager of the Opera House, arrives and explains to the company that he is retiring. But how many lives will he sacrifice to make the music of the night?Ī new opera, Hannibal, is in rehearsal. And in Christine Daaé, he’s found his angel of music: the young woman he would make a star. The Phantom haunts the catacombs beneath the Paris Opera House. It “remains as visually ravishing as ever” ( The Age), and “cannot fail to impress” ( Time Out). Overseen by Cameron Mackintosh and Matthew Bourne, the “eye-poppingly innovative” ( Australian Financial Review) new staging includes many special effects, from the famous chandelier to the underground lake, and a large cast and orchestra. It features new direction by Laurence Connor, new scenic design by Paul Brown, lighting design by Tony Award ®-winner Paule Constable, sound design by Mick Potter, new choreography by Scott Ambler and the original, Tony Award ®-winning costume design by Maria Björnson. Now, you can hear them all in a spectacular new production that has stunned critics across the United Kingdom and North America. Hit after hit punctuates the thrilling score, from the stunning romance of ‘Music of the Night’, ‘Think of Me’ and ‘All I Ask of You’ to the splendid ‘Masquerade’ and brilliant title song. (See the original costume sketch here.Experience the phenomenon of one of the most successful musicals of all time, when Cameron Mackintosh’s new production of Andrew Lloyd Webber’s legendary show comes to Melbourne. This costume is normally worn with the Phantom’s iconic fedora. When he brings Christine down to his lair for the first time, he dons a magnificent cloak made of black jacquard lined with silvery-gray silk. This formal Victorian evening suit is worn by the Phantom throughout most of the show.
Phantom of the opera costume women zip file#
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